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Creative Nature Outdoor Photography Revised Edition Photography Revised Edition [PDF] [EPUB] Chris Nicholson is a photographer and. Thank you for downloading creative nature outdoor photography revised edition. As you may know, people have search hundreds times for their chosen novels. Get Free Read & Download Files Creative Nature Outdoor Photography PDF CREATIVE NATURE OUTDOOR PHOTOGRAPHY - In this site isn`t the same as .
Psychedelic soap film This is a wonderful project that makes for vibrant desktop wallpaper or abstract wall art. You'll need liquid soap mixed with glycerine for long-lasting soap film, plus a wire loop, a black cloth background and a macro lens of at least mm.
The colours created by soap film only appear when hit by light from a certain angle, so set up near a north-facing window and shoot from around 45 degrees. Refractive art Light bends when it passes through water, causing the objects behind to change appearance.
This is called refraction, and you'll make use of this phenomenon in this arty photo project.
All you need is a few glasses, a flashgun, a tripod and a black-and-white pattern print. Simply place the pattern in the background with the glasses in front. Fill them with different levels of water and move the pattern backwards or forwards to fine-tune the effect. Kitchen close-ups Your kitchen is an ideal location for shooting a macro project. Its reflective surfaces can be used to create interesting backgrounds for your shots, and a shallow depth of field can transform the most mundane of objects you'll find there.
Creating a triptych of images can result in a piece of fantastic wall art for your kitchen too, although it's important to think about how they're going to work together before you start shooting.
Here, 3 objects - a fork, a bowl of cereal and coffee granules - were all shot from a similar angle, with the impression of height linking the sequence.
Still-life bokeh Something as simple as a crumpled piece of foil can be the basis for a creative photo project. Position a still-life subject on a sheet of glass with a piece of dark material underneath it. Scrunch up the kitchen foil then smooth it back out and place it in the background. Shine a table lamp or torch on the foil and, with a tripod mounted camera, dial in the lens's widest aperture to create some beautiful ' bokeh '.
During the exposure, shine a flashlight onto the subject. Bokeh bubbles Small highlights often create nice bokeh, so fairy lights are perfect for this project. Position them far enough away so that they will be out of focus at a wide aperture.
Position your subject, in this case a glass, close to the camera and focus on it. Tweak the position of the fairy lights until it looks like cool coloured bubbles are floating out of the glass.
This technique can also be used to create bokeh 'steam' from mugs of hot drinks. Still life light trails Light trails can be used in all kinds of photography, but they're perfect for a creative still life project. You can use a regular Maglite torch, but try removing the end to reveal the bulb and make the light more direct.
There was no sign that anyone had been this way before, and really, there was no reason that anyone would have. When I eventually topped out on the ridge, late on an August evening, the sun still shining from the northern sky, I found a pillar of stone.
The rock stood 15 or 20 feet high, a narrow obelisk that looked as though it had been planted, or perhaps grown from the earth itself. The stone had been pushed into its delicate position by the constant slow shift of the thawing and freezing ground below. It struck me, in that moment next to the standing stone, that I was about to be the first person to photograph these rocks.
In one fell swoop; I realized exactly what it is about photography that I love. Seeing things for the first time. Not just stones on a wild mountaintop, but viewing frequently photographed scenes in a new way. The most photographed landscapes still hold potential for novelty. And creating that novelty in images is one of the great pleasures of the art of outdoor photography.
And here is the rub; good outdoor photography is about creating new images, not just copying what has already been done. Outdoor photography is extremely popular. We landscape and wildlife photographers travel across the planet to make images, and our presence is having an impact on the places we visit. Here are some guidelines: Respect other users: What we are doing is no more important than the activities of others. Be respectful of other photographers and non-photographers alike.
In some parts of the world, photographers are becoming disliked because of our actions. We cannot allow this to happen.
Be kind to others. Your long lens does not give you the right to be a jerk. The best images of wildlife are natural images, not shots of caribou fleeing across the landscape. Note: it may also be dangerous! Animals like elk and moose may look harmless but can do a lot of damage. Likewise, too many tourists have gotten too close to bears with no barrier and then if the bear attacks a human it could be put down.
Follow the rules: Most of the refuges, parks, and other lands we photograph have rules in place for a reason. As photographers break those for the sake of an image, it hurts the reputation and possible future access for all of us. Know the regulations and follow them. Leave no trace: The next visitor to your location should have no idea you were they before them. Those kinds of photography opportunities are by far my favorite.
I love shooting someplace where few if any others have been or photographed. But mostly, I like the way a piece of dramatic topography under beautiful light looks. I like how it appears to my eye, and I like how it looks through the viewfinder of a camera. When I manage to make an image that brings back all those feelings of the experience, and when I can relive those moments of outdoor beauty over and over again, then I feel very successful indeed. Equipment Landscape photography does not need to be equipment heavy.
On many excursions, I may carry only a single camera equipped with a wide-angle zoom lens. Here is my camera equipment list, and some notes on each item: Full frame DSLR: Though not vital, the full frame sensor is useful for taking advantage of wide-angle opportunities. I like the way this lens and those of similar focal length can isolate parts of the landscape. Tripod: Rarely do I leave this behind. Polarizing Filter: Great for removing glare and reflections.
Variable Neutral Density Filter: For long exposure work, a neutral density filter is great. The variable filters allow you to adjust the amount of light coming through into the camera. Throw in a bag or backpack to carry it all, and this kit will cover about every landscape opportunity you might encounter. Composition and Exposure I always have a difficult time writing about composition and exposure because this is where art becomes a part of the photographic process.
Then you can decide for yourself what is best for your situation. Shutter Speed The speed of your shutter indicates how long your sensor is exposed to the light coming from your scene. A fast shutter speed will halt motion, while a long one will blur moving objects. In landscape photography, you may want to freeze the motion of a splashing river or leaves blowing in the wind.
Or you may prefer them to blur, providing a sense of that motion. Aperture Your aperture plays two roles. It controls how much light is allowed into the camera, and it controls the depth of field.
According to the book, there are essentially two things that make a stunning food photo — appropriate exposure and a thoughtful composition.
For more tips, download the eBook! Keep this in hand and give this a read whenever you feel uninspired, or want something to read while on the bus or subway. Lighting , by Strobist The ever popular online lessons on lighting in photography, Lighting , can be downloaded as a single file for a handy reference.
It will teach you everything about lighting — lighting equipment, artificial lighting, balancing it with natural light, lighting patterns and many more tricks. If you are looking for an in-depth primer on lighting, Lighting will be a great place to start. Nine Motivational Essays on Photography, by Scott Bourne As photographers, we periodically experience a creative block that leaves us unmotivated.
These nine essays tackle the issues of photographic motivation, creative rut, and getting photographic inspiration in different ways.
A must-read for all photographers.
The Ultimate Guide to Starting Your Photography Business If you are looking to start a photography business but have no idea how to go about it, this eBook will be a great place to start. With advice from experts who share real life knowledge, you will learn how to focus your niche, market your work, lock in clients, and manage your finances.
Everything is explained in a manner that is easy to understand. This book ia a basic primer and introduction to street photography. It lays down certain guidelines, sort of axioms for photojournalists, that can guide them. If photojournalism interests you, you should check out this eBook.